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Thursday, May 28, 2020

Othello

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Act IV Scene II lines 1-171


In this section of the play Othello questions Emilia about what she knows of Desdemona's involvement with Cassio. Though when asked by Othello "You have seen nothing then?" (1) And she responds with "nor ever heard, nor ever did suspect" () Othello completely discounts Emilia's story. This shows a lot about Othello's characteran accomplished, experienced man of the world in his own estimation and in the eyes of the Venetian society. While he is confident on the field, where he has spent most his life, he is unsure of himself in civil society and in dealing with matters of love. It is this weakness of Othello that Iago exploits to manipulate him and ultimately lead him down the path of self-destruction. It also shows us a lot about Emilia, who is married to evil but sides with Desdemona as her lady.


Also, conflict finally erupts between Desdemona and Othello as he accuses her of dishonesty. This is the first time in the play that Othello has brought up his qualms with the source of his anger. Othello uses callous expressions such as 'whore' (7) 'public commoner' (7) and 'impudent strumpet' (81) to describe his wife Desdemona who is guiltless of infidelity to her husband. No matter what Desdemona says or does this beautiful, innocuous and strong woman cannot prove her innocence or understand why Othello is behaving in such a way.


Towards the end of this section, Iago, a self-professed Villain who's sole motive is hatred towards his superior, provides a distraught Desdemona with reassurance telling her "Fie, there is no such man! It is impossible." (14). Before piecing it together, Iagos wife Emilia, consoles Desdemona


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I will be hangd if some eternal villain,


Some busy and insinuating rogue,


Some cogging, cozening slave, to get some office,


Have not devisd this slander.


(10-1).


This scene is full of examples of dramatic Irony. Othello who did not ask for it received advice from Iago; the villain, who leads him to believe Desdemona, is a shameful adulteress. Desdemona who asks for Iagos advice is told nothing is wrong with her husband and that all will be well.


In Othello's speech (lines 48-64) Shakespeare uses imagery, metaphoric language, syntax and diction to express the way Othello feels about his wife. This passage foreshadows tragedy, as it illustrates that Othello no longer trusts his wife.In the lines leading up to this Othello is portrayed as obdurate and ignorant while Desdemona is made to appear naive and asinine. It also demonstrates the lack of communication between Othello and Desdemona, as she asks many questions "To whom, my lord, with whom? How am I false?" (41) Whilst Othello's elusive responses evade any explanation to Desdemona, which is wearisome to the audience.From this passage it is evident that Iagos plan will be a success.


Imagery is used through the use of heaven and God to represent good and true and hell to represent evil and falseness. An example is given In line 40 "Heaven truly knows that thou art false as hell" the terms heaven and hell are commonly used throughout this section, examples are "had it pleased heaven to try me with such affliction" (48) and "there look as grim as hell" (64)


Metaphors and Imagery are also used in the passages "A fixed figure for the time of scorn to point his slow unmoving finger at." (54-55) Spoken by Othello which shows he feels he is always the contempt of the world, and when he discusses his feelings for his wife "The fountain from which my current runs or else dries up - to be discarded thence" (5-60) this Imparts to Desdemona that that she has dried up Othello's soul.


I believe this section is very significant in the play as it is the first time that Othello actively seeks proof himself. When he discovers none and still believes his is accurate in his allegations we learn allot more about each of the characters. It is also the first point in the play where the pieces begin to be put together and make for a dramatic lead up to the final climax, which heightens the audience's involvement and attention. However this extract is somewhat frustrating, as we, the audience, know that Desdemona is blameless of the accusations made by Othello and yet she is unable to prove it because of Othello's hazy explanations. I believe this frustration adds to the tragic impact of the play because we know Desdemona is innocent and would be able to prove herself if given the chance and yet Othello completely dismisses anything she has to say. This passage displays the true person behind the character, Desdemona's Charm and virtuousness, makes her death seem even more unfortunate and Iago's lying emphasis his immorality making him appear even more evil. Othello appears egocentric, thick and vindictive as he rattles of lines such as


"I cry you mercy then.


I took you for that cunning whore of Venice


That married with OthelloYou, Mistress,


That have the office opposite to Saint Peter


And keep the gate of hell!"


(88-)


Whilst this is the first time in the play that Emilia's true strength shines through and that she begins to understand what her husband has done "The Moor's abused by some most villainous knave, Some base Notorious knave, some scurvy fellow." (1-140).


This significant extract is compelling and informative and is an interesting and captivating part of the play that reveals allot of information. For these reasons I believe it has a very significant impact on the outcome of the play.


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