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Wednesday, March 4, 2020

"The Death of Mercutio changes the whole world of the play." Consider the importance of Mercutio in the light of this comment.

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Throughout the play, Mercutio only appears in four scenes yet his existence in the play is very important. Right from the very beginning of the play, Mercutio has a huge influence on the outcome of the play both before and after his death.


Mercutio's character is very important in the scheme of things. As his name suggests, he is volatile and his idea of love is having sex with someone, "A bawd, a bawd, a bawd! So ho!" which is a contrast to the romantic sort of love felt by Romeo. He is also someone who loves partying, he is the one who has an invitation to the Capulets' party in the first place and so is instrumental to the plot as the party is where Romeo and Juliet first meet. Mercutio also loves to fight as becomes clear in Actscene 1 when he provokes a duel with Tybalt against the wish of Romeo. As well as the Nurse, Mercutio adds humour to the play, he continues to joke and pun right up until the moment he realises he is dying, "Ask for me tomorrow, and you shall find me a grave man."


Mercutio first appears in Act 1 Scene 4 where he, Romeo and Benvolio are about to gatecrash Capulet's party. Although Benvolio is eager to get into the party, Romeo is very reluctant and describes himself as having "a soul of lead" due to his unreturned love for Rosaline. Mercutio takes this in his stride "if love be rough with you, be rough with love Prick love for pricking, and you beat love down." and just tells Romeo that if love is getting him down then he should just have sex with someone, again showing Mercutio's idea of love. After this, Romeo tells Mercutio of a dream that he had the night before involving a tragedy to pass and all that Mercutio can bring himself to do is to poke fun at Romeo with a childish myth, "O then I see Queen Mab hath been with you." This shows the friendship between Mercutio and Romeo as even though Romeo is depressed and full of foreboding from his dream, all Mercutio wants to do is cheer him up. With this, Mercutio convinces Romeo to go to the party which is ironic as it leads to the tragic chain of events in which Mercutio's own death is involved.


The next scene in which Mercutio appears is Actscene 1 and this takes place just after the party. Romeo has just met and fallen in love with Juliet and leaves Mercutio and Benvolio to return to the party seeking her. "Can I go forward when my heart is here?" Mercutio calls out to Romeo using much sexual innuendo, "To raise a spirit in his mistress' circle." which again shows the close relationship that Romeo and Mercutio share.


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Actscene 4 is the scene in which the nurse seeks Romeo and is also very important in demonstrating Mercutio's sense of humour. Before the Nurse arrives Mercutio is teasing Romeo about the fact that he's in love, although this time Romeo is happy as he has fallen in love with Juliet (unknown to Mercutio who thinks that Romeo is still infatuated with Rosaline). Mercutio notices Romeo's change in attitude and remarks upon it, "Why, is not this better now than groaning for love? Now/art thou sociable, now art thou Romeo; now art thou what thou/art," not only does this once again show their relationship but it also tells the audience that Romeo is usually a sociable and nice to be around person, when he is not infatuated with unreturned love. When the Nurse arrives, Mercutio aims all of his jokes and puns at her and they start to become quite rude and sexually orientated, "Two, two a shirt and a smock.", "A bawd, a bawd, a bawd! So ho!", "upon the prick of noon", "An old hare hoar". This most probably added to give the audience a laugh.


Actscene 1 is probably the most important of all the scenes that Mercutio appears in as it the scene of his death. The scene opens with a warning from Benvolio; "the Capels are abroad, And if we meet we shall not scape a brawl" which is casually rejected by Mercutio, who merely passes off Benvolio as a quick tempered quarreller. This is essential to the plot as if he had taken note of Benvolio's advice then again, the tragic chain of events could have been avoided. When finally the Capulet's do arrive, Mercutio just acts cool and indifferent, "By my heel, I care not." When Mercutio learns of Tybalt's challenge, and Romeo refuses to duel with Tybalt, Mercutio shows a great sense of honour towards Romeo by taking his place in the duel and continuouslysticking up for him. When Mercutio comments on Tybalt's swordplay, not only is he poking fun but he is also alerting the audience to the fact that Tybalt is very skilled at fencing. "Good King of Cats, nothing but one of your nine lives that/I mean to make bold withal, and as you shall use me hereafter, dry-beat the rest of the eight." They fight, but Romeo can't watch and comes between the two, holding Mercutio, and Tybalt stabs Mercutio underneath Romeo's arm. Although Mercutio has been badly hurt, he still finds it in him to joke and pun right up until the point where he realises that he is going to die, "Ask for me tomorrow, and you shall find me a grave man." But in the end he realises the inevitable and with almost his last words; "A plague a'both your houses!" he is carried away by Benvolio and dies. The feud between the houses has finally led to a death. This warning is ominous and along with the fact that Mercutio has just died acts as a reminder of the prologue. Mercutio's death is instrumental to the plot as, his extremely close relationship with Romeo fuels Romeo to take revenge on Tybalt.


On several occasions, Mercutio has been instrumental to the plot, but most so through his death, he was probably Romeo's closest and dearest friend. Had Mercutio not been there then there would not have been anyone to help Romeo with his problems, Romeo would not have met Juliet, and he would not have got himself into the fight with Tybalt. But following his death, Romeo's whole world collapses when he takes revenge which is why "The Death of Mercutio changes the whole world of the play."


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